Stunt Coordination
Selected sequences from Peter’s work in stunt coordination across film, television and commercials.
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A selection of Peter’s work in stunt coordination, second unit action direction, practical action and stunt performance across film, television and commercials.
Scroll to exploreSelected sequences from Peter’s work in stunt coordination across film, television and commercials.
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A dedicated selection of Peter’s second unit action directing work is currently in edit.

Peter played an instrumental role in the development and practical execution of The Epic Split. The celebrated sequence was performed for real and filmed with the trucks travelling in reverse.
It remains one of the projects of which Peter is most proud—a precise combination of preparation, performance and practical filmmaking.
Watch the finished commercialBehind the scenes Click or tap a photo to enlarge ↗
Selected fire-stunt performance from Peter’s work across film and television.
Open directly on YouTubeFire-sequence coordination for the Spanish thriller 1992.
Open directly on YouTubeSelected sequences from Peter’s work as a stunt performer across film, television and commercials.
A dedicated selection of Peter’s acting work is currently in edit.
Peter worked as Stunt Coordinator across a series of internationally recognised Volvo Trucks campaigns over nearly five years, including The Epic Split—featured above—which remains one of the defining projects of his career.

Peter's work on the Ruroc Helmets campaign brought together a drift, a motorcycle chase and an explosion.


Selected action-led work directed and choreographed by Peter, paired where available with behind-the-scenes material showing the planning, performance and filming process.
The completed, fully rendered action sequence.
Open directly on YouTubeThe edited sequence before visual effects, shown alongside the effects being developed in real time.
Open directly on YouTubeA Judge Dredd-inspired short created during and after COVID with family, friends and their children. Shot in Peter’s garden using home-built props, two green screens and practical elements—with visual effects created by Peter’s friend and collaborator—the trailer offers a glimpse of Mega-City One and shows what a small group of creative people can achieve through a shared passion for filmmaking.
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Action design, choreography and stunt coordination for original action sequences created for the BFI’s Art of Action season, produced by acclaimed filmmaker Neil Marshall.
From explaining and blocking the choreography through rehearsal and camera execution.





The launch trailer for Heroes & Generals, followed by the official behind-the-scenes film featuring Peter discussing how the action was created.

Stunt coordination for the Game of War campaign trailer, presented alongside a production still from the shoot.




Peter Pedrero — Stunt Coordinator. The Unofficial Science of Die Hard puts some of the original film’s most iconic stunts under the scientific microscope. From Hans Gruber’s dramatic fall to crashing through windows, walking over broken glass and surviving explosions, the programme explores what would happen if these sequences took place in real life. Combining stunt expertise with scientific experiments, we examine the forces involved, the consequences for the human body and just how closely Hollywood action matches reality. Yippee-ki-yay!
Peter coordinated the fire sequence and played the principal character—the clown on fire—in the music video for Chekhov's Guns.


With just one day to rehearse and one day to shoot, Peter’s two talented stunt performers did a fantastic job. Emily also delivered a superb performance, throwing herself into the choreography.





These behind-the-scenes photographs show Peter and the performers blocking and refining the fight choreography, including aerial moves.

Peter’s work on the Hewlett-Packard Digital Crime Fighter campaign, presented with the finished commercial and its making-of film.
Action design and choreography by Peter Pedrero for the FCUK Fashion vs Style campaign.

Peter designed and choreographed the fight for Amnesty International’s Stop Violence Against Women campaign, directing the performers’ physical movement for camera.


Peter stunt coordinated this series of cinematic Specsavers idents created for Film4, spanning fantasy action, romantic comedy and a tongue-in-cheek stunt sequence.





Peter stunt coordinated and rigged the Mint Credit Cards commercial, also performing as one half of a comic duo inspired by Dudley Moore and Peter Cook.
